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S P E C I A L D E F E C T S:
THE FLUKE STARBUCKER STORY
By Jake Jamieson


When Fluke Starbucker found out that I was planning to interview them for Rockist, they were excited to say the least. Ted started running around in circles like a toy poodle. Trevor began to weep gently, mumbling something about how "being in a band finally means something now." Jeremy called up and told his boss to "take this job and shove it," because his band had finally "hit the big time." Derek took a nap on the couch. Well, OK, that's how I wanted it to happen.
Out of everything I just listed, the only thing that actually happened was Derek's nap.

The real scoop was that I told them I was going to interview them, and they agreed to meet me in Berkeley. We ended up going to Jupiter's, a local bar/restaurant that names all of its pizzas after Roman gods. The only god we paid homage to that night was Bacchus, the patron of beer and cigarettes. (Actually, when I mentioned that Bacchus thing to Fluke they instantly voted that I'm an incredible nerd). I think it all started after Jeremy told the waitress to "keep those pitchers coming every 5 minutes until my head hits the table. Then start bringing them every 10 minutes" a la Rodney Dangerfield in Back To School. After my interviewing equipment had been properly lubricated with porter, we got down to business. What came out was a tawdry tale of flying toasters, porn movie theme music and a John Holmes-sized Star Wars fetish.

The story of Fluke Starbucker is the story of a whiny farmboy, a brash starpilot, a headstrong princess and an aging general. Actually, it's the story of four talented musicians who are using the force to bring balance to the Bay Area music scene.
There's Ted, the lead singer and guitarist, who got his wisdom teeth out before the interview and spent the whole night ladling liquid on his dry sockets and popping Vicodan. There's Trevor, the drummer, who is the other original band member along with Ted. He's sick tonight with the flu, and he's really only doing the interview because the rest of the guys made him. There's Derek on bass, a relative newcomer to the lineup after the original bassist left. He declined to come to the interview in favor of his couch nap. Last but not least is Jeremy on keyboards and percussion. At one time when we were alone at our table, Jeremy told me that his main musical goal for Fluke included making soundtracks for pornographic movies. I'm pretty sure he was kidding.

Fluke Starbucker was formed long ago in a galaxy far, far away (Minnesota, 1994). Ted and Trevor met in high school, and started a punk band called the Toy Yodas. "As you can see, the Star Wars theme started out pretty early," says Ted. I asked Ted and Trevor about how they met each other, and each of them had a different tale.

"Actually," says Ted, "I dated Trevor's mom
for a while when we were younger, and he and I started hanging out after that blew over." Trevor pipes in at this with, "Come on Ted." He looks at me and says, "What really happened was that Ted got pregnant when we were in high school and when his water broke I was the only one who had any towels."
Whichever of these two stories is true, Ted and Trevor hooked up with Mike, their original bass player and began making music in America's heartland. Their name is derived from a Star Wars spoof called Hardware Wars. According to Ted, Hardware Wars was designed to be the antithesis of Star Wars and throw a pie in the face all the hype. "(Hardware Wars) was completely cheesy, with flying toasters and joke names for all the characters. They called the effects in it 'Special Defects', and the whole thing looked like it was made in a basement."
Ted squirts some more liquid into his tooth-sockets. "When we first started the band, we were just called 'Starbucker'. We'd all do characters on stage. I was Fluke Starbucker, because I called it first. Trevor would be Ham Salad or Oggie Ben Doggie, depending on what he felt like that night. Mike would be Princess Ann Droid, because he had long hair." The characterizations fell away as the band progressed musically, and they took on the rest of the Fluke Starbucker name.

After a couple years, the band decided to head west. They ended up living in Oakland, and I get the feeling that they moved partially for the area's music scene and partially to be in George Lucas' stomping grounds. "The coolest thing (after the move to California) was that we actually met Fluke Starbucker, the guy in the movie.", says Trevor. "His real name is Scott Matthews, and he's a music producer now. He's produced all sorts of stuff, everything from John Lee Hooker to Barbara Streisand. We were going to be playing at North by Northwest up in Portland, and Scott happened to be in town speaking at some club up there."

"Yeah, it was cool," interjects Ted, "Scott ended up going to lunch with the owner of the club we were playing, and (Scott) asked who was playing that night. The club owner was like 'I don't know, Scootch Flarnucker, Flake Marmaduke, something like that'. Scott got it out of him that it was Fluke Starbucker, and made the club owner promise to tell us he wanted to meet us. We ended up playing our set in half the normal time so we could hang out with him because we were so eager to hang out with him. We talked for a while and the next thing I knew we (the band, minus Scott) were at some strip bar where topless women were serving us steak and eggs. The whole thing was really surreal, but Scott ended up producing "Senseless Beauty" for us and we put it on Hooker at Sea."

After releasing Paper Thin, the band's first album and a couple of years playing with Fluke in the bay area, things started to get tough for Mike. The other two could see that being part of Fluke Starbucker kept him away from his wife and daughter a lot and it was putting lots of pressure on him. During the Fall of 1998 there was a long heart-to-heart and Ted and Trevor let Mike know that there wouldn't be any hard feelings if he felt he had to leave the band. He decided to do just that.

.

According to Ted, Fluke doesn't hold any animosity toward Mike. "He just decided that with a family, he wasn't willing or able to do what's expected of you when you're in a rock band: you hit the road, you play the shows, and you sacrifice your sanity. We understand that all of that's hard to do with a kid." He takes a pull on his beer. "The thing that bothers me the most about it is (Mike's wife) Chris. She used to think that being in the band was a pipe dream for Mike, and she had a hard time supporting him because she wasn't into it. She did more than anything to push him away from the band."

"Yeah," says Trevor with a sheepish grin, "he ended up having to pull out of the band because he didn't want to pull out of Chris." The table is quiet for a moment, with everyone sipping beer and thinking while I write furiously.

Ted was so broken up about Mike's leaving that he decided to pack things up and head back to Minnesota for a while. "It was really hard. I mean, we'd just finished recording Hooker at Sea, and things were starting to look really good, and then suddenly everything was different. I didn't know what to do with myself, so I just headed home to where things were familiar and let myself get really depressed. I was thinking about packing in Fluke Starbucker and settling down somewhere that I could forget about it all."
Thankfully, after some dark times Ted was able to get his feet under him again and realize that Fluke Starbucker meant more to him than he'd realized. Ted ended up meeting Derek in Minnesota, and convinced him to come back to the Bay Area.. "Things worked out OK with Mike leaving. We ended up hooking up with Derek, and with J pretty soon after that."
Ted still looks a bit introspective, but at least the beer seems to be dulling the pain in his mouth. "Derek's added a whole new level to the band. He's a super boogier, a total rock star. Mike would boogie too, but it was more like an 'Ooh-I'm-on-shrooms boogie.'"

Trevor clears his throat. "Having J in the band is doing a lot to change our sound. His keyboards are letting us do a lot of different stuff, and sometimes he and I switch back and forth between the drum kit and the keys. It's really cool." He points at Jeremy, sitting next to me at the table, who's been pretty quiet, since most of what we're talking about is ancient history to him.

Ted interjects, "Did we ever tell you how we met J? It was pretty cool, because we met through a roommate referral service. I needed someone to help with the rent, and the only person who answered my ad was this pot smoking hippie chick. Her parents were gonna pay her half of the rent, and I was gonna charge her like an extra three hundred bucks a month. Then J called."

Jeremy says, "Usually when you call to answer ads, people ask you what you do and you have to be careful about saying 'I'm a musician'. You know, like 'Oh, you play music? We don't want you and your freeloading friends making noise in our house.' When I called Ted, it was totally different because he warned me he was a musician too."

"J told me that his brother was in Palace and Smog, two groups that I am constantly turning to for inspiration. I was like 'You're in'. I called the hippie girl that day to tell her it wasn't going to work out, and J moved in." He stage whispers in my direction, "Don't tell J, but the real reason I let him move in is because he said he had a car." He grins and nods in Jeremy's direction. "Well, OK. It was because he said he had a car and he kicks ass. J's the all-around talent who's so good that it makes the rest of us try harder and play better."
All kidding aside, Fluke Starbucker as a whole seems to be impressed with its latest incarnation. We've been talking a lot about their past, but they've got a lot coming up as well. "With Derek and me in the band, things are changing a lot musically. We're a lot more diverse, and with me and Trevor trading off on keyboards and percussion, we're a lot less likely to get bored.", says Jeremy. They've been playing their new stuff out quite a bit, avoiding songs from their first album. At a show recently some die hard fans began calling out for Fluke to play "Hands Like Chemicals" from the first album, and Ted quipped back "Are you kidding? I'm the only one up here who even knows that song."

Ted sums this feeling of avoiding Fluke's older material by saying, "We're a new band. We've only been playing with this lineup for five or six months, but everything feels really solid. We're writing some great new stuff, and there's no reason for us to play songs from the past." He puts his finger in my face and mimics an Army drill instructor, quoting Jason Lee's character in Mallrats. "You face forward or you face the possibility of shock and damage!"

There's no question that Fluke is facing forward, marching straight for their goals. "Social Revenge" was just included on Fort Hazel Magic's Here compilation, which also includes previously unreleased music from Built to Spill. Hooker at Sea, their "women and water" themed second LP, was released in July. The music is raw and emotional, as well as being laced with the band's great sense of humor. "Senseless Beauty" is my personal favorite, with a great vocal track and the coolest refrain I've heard in a long time: "The Queen, she will reign. And the rain just makes me wet. And the wet is so sexual. And sex just complicates it".
The whole album is as fascinating and powerful as the oceans that inspired it. Listening to Hooker at Sea from beginning to end I felt like I was standing on the deck of a sailing ship, watching the sea. I was disarmed by how calm and soothing it is one minute, then I was buffeted by a powerful wave that left me drenched in sound. I felt the highs and lows of ocean travel, without having to invest in Dramamine. The entire time, I felt in my gut that I was drawn to the album, just like a sailor (or a hooker) to the sea. The album is quite a ride, and shows how much Fluke progressed since Paper Thin, as well as giving an omen of things to come with the new lineup.

This new lineup will have a chance to stretch its muscles soon enough, when Fluke Starbucker heads out on the road during the late fall for a national tour. Their plans take them as far as Boston, and Jeremy tells me that he's really excited to go out and support the new album. "This is going to be a great tour, and I'm really excited to get on the road in the fall. We've got tons of new music that's even better than what's on the album, and I can't wait to get out and show it off." Ted agrees and adds, "Now all I have to do is figure out how to let my boss know that I'm going to be leaving for a couple of months, and that I'd really like for my job to be waiting for me when I get back. That's not so much to ask, is it?" The others in the band voice similar worries, but they all say that they're not letting it hold them back.
Ted sums up the band's attitude in a manner that sums them up, mixing one part rock and roll bravado with one part humor and a dash of irony. He paraphrases Tenacious D, one of the greatest influences on the band's sense of humor: "We have to go on tour. It's in our blood. Some people learn it in school, and some people learn it on the streets. But Fluke Starbucker, we were just born with it. Our public needs us."









(Jake Jamieson fled to this country from Hong Kong after killing a man. He is most famous for inventing the martial arts from Jeet Kun Do, the way of the Fist.)